For nearly two centuries, the mas where it all began has stood here, rooted in Saint-Paul-de-Vence.
In 1999, the Leroy family found it. They did not come to change it, but to reveal what it already was. Three rooms opened, simply. A home, before anything else.
Their sons, Gregory, Gilles, and Nicolas, grew up between Belgium and Provence. They are artists. They saw the world. Then they came back. They are known as the Leroy Brothers.
Slowly, the place evolved. Without rupture. Without losing itself. A place to live, open and essential. A family. A home. A work of art that is lived in.
Nadine · Dany · Gregory · Gilles · Nicolas · Caroline · Tahnee · Alexis · Agathe · Marius · Isaac
What follows is not a programme.
It is the life of a place, across seasons, presences, silences, and shared moments.
Some things can be booked. Others reveal themselves through conversation. Others come only by invitation.
Whatever brings you here, you are welcome, not as a spectator, but as someone who was there.
The cultural circuit
RAD/ART
Saint-Paul-de-Vence holds an unusual concentration of contemporary art. Foundations, galleries, independent spaces, a circuit you can walk in forty-five minutes, simply.
In 2026, the Leroy Brothers created RAD/ART, Rendez-Vous Actuel d’Art. A living guide. Exhibitions, openings, and the moments that mark the life of the village across the year.
Every guest at Toile Blanche has access to it. A way of finding your bearings, without anything being imposed.
Four times a year · spring · summer · autumn · winter
La Semaine
Four times a year, spring, summer, autumn, winter, the Leroy Brothers welcome a small number of guests. Collectors, amateurs, artists, attentive travellers. Five days, at their own pace.
You arrive on Wednesday. You leave on Sunday. Your own suite. Time.
One evening, the Leroy Brothers share the table with their guests. Nothing is imposed in a house conceived as a work of art from its very first day.
What La Semaine includes
Breakfast, every morning.
Served at table, at your time.
Discovery of the place and its collection. A RAD/ART gallery walk in the village.
Organised visits: Fondation Maeght, Fondation CAB, Arik Levy sculpture park. A few galleries. At your own pace.
One evening, a longer table for dinner with the Leroy Brothers and other guests.
Spring, April, May
Toile Blanche wakes. After Art Basel Hong Kong, the return to Europe.
You arrive open. Ready to look at things slowly.
Summer, late June, July
La Semaine settles into the season. It does not interrupt it.
It finds its place at the heart of summer.
Autumn, October, November
After the fairs. After seeing too much, too quickly.
You arrive saturated. You leave with a sharper eye.
Winter, January, February
Toile Blanche draws inward. Quieter, more intimate.
For those who know, it is the most honest time, the most intense.
And spring comes again.
Rate: From €4,000 per suite, five nights, inclusive. Direct booking only.
Between November and March, when the season fades, Toile Blanche opens its doors to a small number of guests.
Writers, architects, composers, curators. Each arrives with a project, a need for silence, beauty, and time.
L’Atelier is a long stay, two weeks minimum, in the same suite throughout.
Breakfast. The restaurant.
The Leroy Brothers are here, engaged in their own work. The proximity is real, in shared moments, in conversations that emerge without ever being arranged.
Minimum two weeks, same suite throughout · From €2,500 per suite per week, inclusive · Direct booking only
An afternoon that slides into evening. A work that appears. A musician who plays. A table that lengthens. You arrive, you move through, you stay. Conversations begin, cross, continue elsewhere.
Les Sessions began in 2024. It is the most open thing we do. The most free, also.
Each winter, the Leroy Brothers invite one artist to come to Toile Blanche for a month.
The artist has full use of Toile Blanche. They work as they need to work, in the suite, in the grounds, in the studio by arrangement. The Brothers are present but not directive. The relationship develops as it develops.
At the end of the stay, one work enters the permanent collection. It is installed and it remains. Future guests encounter it without being told its story, until they ask. The asking is the beginning of the conversation the invitation set in motion months earlier.
Each winter, November through March
L’Écrivain
A writer in residence.
In winter, someone arrives. Not to teach. Not to produce anything defined. To write.
In a suite, a few days, sometimes two weeks. Time ahead. The light, the silence. Toile Blanche does not intervene.
The form matters little. Novel, essay, criticism, film.
What matters is the relationship to language. Strong enough that others want to be near it.
The evening decides.
Reserve at the Source
Authentic Rate · No hidden fees · Priority Upgrade
